作品名：未亡人、哀しみの妊娠報告。 武藤あやか
shkd00992
スレンダーで綺麗な武藤あやかさん、未亡人役で登場します。
財産を独り占めした弟を許せない兄貴が、未亡人となった武藤あやかさんを一周忌に復讐します。
そこで足舐め。
足フェチポイント） この作品は足フェチが喜ぶが、48分台のシーンに絞られます。
48:55 太ももから足舐めシーンで足裏アップ・・・武藤さん、復讐心に燃える旦那の兄にこれでもかと攻められます。収納棚に腰掛け攻められ続けます。隣には旦那さんの遺影を見えます。
未亡人となり、情事にはご無沙汰だった武藤さんは抵抗しながらも堕ちていきます。
そして、ついに太ももから、右の足先へ舌を這われ、舐められます。
武藤さんは「そんなところ、だめ・・・」と声をかすれながら、漏らします。
49:22 足フェチ待望の足裏登場・・・ギリシャ型の綺麗な足裏と感じる武藤さんの端正なお顔をを拝むことができます。若干、母趾球にダメージが見えますが、それもまた足フェチを満足させます。武藤さんの綺麗な顔と、その足裏のダメージのギャップに感動すら覚えます。
足は、足裏を舐めることなく、足指と足指の間に舌を這わせます。常時足裏はアップのままです。
喘ぎ声を出しながら、感じます。
最後は、仏壇の前で正常位で絶頂に達します。武藤あやかさんの足裏をじっくり拝見できるおすすめの動画です。
A Japanese woman, slender and beautiful Ayaka Muto, plays the role of a widow.
Her brother, who cannot forgive his brother for monopolizing his fortune, takes revenge on Ayaka Muto, now a widow, on the first anniversary of her death.
There he licks her feet.
(Foot fetish point) Foot fetishists will appreciate this movie, but it is limited to one scene at the 48 minute mark.
48:55 Foot licking scene from thigh to foot... Ms. Muto is attacked as much as possible by the brother of her vengeful husband. She sits on a cupboard and continues to be attacked. Next to her is a picture of her husband.
Ms. Muto, who is now a widow and has not been in a romantic relationship for a long time, resists, but she falls.
Eventually, she is licked from her thigh to her right toe.
Mutou-san's voice is weak and she cries out, "No, no, no, no...".
49:22 The long awaited sole of the foot fetishist appears... We can see Ms. Muto's beautiful Greek-shaped sole and her neat face. Some damage to the ball of the big toe is visible, but this also satisfies the foot fetishist. The gap between Ms. Muto's beautiful face and the damage to her sole is even more impressive.
The feet do not lick the soles, but let the tongue crawl between the toes. The soles of the feet stay up all the time.
You will feel it as she moans.
Finally, she climaxes in the normal position in front of the altar. This is a recommended movie where you can take a good look at Ayaka Muto's soles.
